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Lord & Wakeman world premiere at Sunflower Jam

July 9, 2011


The Sunflower Jam 2011 will be remembered for one of Jon Lord’s most rewarding appearances of 2011 – musically daring and performed with sharp excellence.

On an evening already rife with musical talent, Jon Lord shared the stage with Rick Wakeman for the pair’s brand new composition It’s Not As Big As It Was (allegedly about the music biz although it was preceeded by jokes about old age and prostate problems). This was without a doubt The Sunflower Jam’s musical crown jewel benefitting the good cause of helping children suffering from cancer. Donations are still welcome.

This is Rasmus Heide’s report:

Jon Lord appears onstage after almost an hour of excellent music from the likes of Danny Bowes (Thunder), Gary Brooker, Joe Bonamassa and Newton Faulkner. These gentlemen (and woman) have entertained the crowd with blues and rock classics that fare very well, particularly Gary Brooker’s rendition of A Whiter Shade of Pale and Joe Bonamassa’s Thrill is Gone. However, Jon will proceed to seize the show and push up the excitement level several  notches.

“One of the greatest keyboardists in rock’n’roll, Mr. Jon Lord!” Joe Bonamassa introduces the maestro and kicks off a slowly evolving Ballad of John Henry. Bonamassa’s bluesrock signature tune is the perfect choice for the two masters to pool their forces. Building its riff to a roar before dipping to the verse – and then lifting itself up to the menacing chorus, Jon’s swirling Hammond backdrop has touhes of the quietly contemplative work he did for the band Ride some years ago.

Standing at the edge of the stage – having pushed the organ chair to a side – Jon is in great shape and form; focused and well prepared for what will turn into an absolute musical feast celebrating almost every aspect of his musical prowess – and in the stately old Royal Albert Hall where his work first came to prominence in 1969 – and again in 1999.

Bonamassa’s John Henry is taken down to a shimmer and Bonamassa steps up to the theremin to make it squeal eerily to the fascinated crowd – until Jon Lord gently takes over. His solo is stormy and intense, developing to a massive Hammond crescendo full of his trademark wails and runs. Bonamassa moves closer and teases Jon into a guitar-organ chase the likes of which we’ve not heard for nearly 20 years… Majestic and spine-shivering.

Thanking Bonamassa, Jon introduces the next piece as Bourree from his Sarabande album. The contrast is tangible. With the evening’s musical director Paul Wickens on synthesizer, Jon handles piano and then Hammond for the solo. Anna Phoebe adds a particularly mean solo violin to the piece, expanding again the range of musical flavours of an already boundary pushing evening.

“I’ve got a big ask of you. Not a big ass – although it used to be bigger – but a big ask. Into every show a quiet song must fall,” explains Jon Lord before presenting ”the rather wonderful” Steve Balsamo to sing Jon’s most popular solo piece. Balsamo delivers a particularly tender and confident Pictured Within – in his element, gazing out at the crowd, inspiring pin drop silence. Lacking the sweeping string section of its standard orchestral arrangement, in its place Anna Phoebe displays immaculate delicatesse on her fiddle. The piece is a gorgeous contrast to the previous rackets and again, Jon Lord’s musicality proves its extraordinary range.

Lord-Wakeman’s world premiere
Warm hugs are exchanged as Jon introduces Rick Wakeman as “a new old friend. I’ve known this guy since God’s dog was a puppy, but never quite got to know him. The rather unique Rick Wakeman.”

Rick disspells any pretentiousness by cracking a joke about his own sexual debut behind the Royal Albert Hall (“It wasn’t very good. It never is when you’re on your own!”). His first piece is BeatlesEleanor Rigby played by himself Prokofiev-style on bombastic, staccato synth layered with effects.

Then he invites Jon Lord back onstage. “Last Wednesday Jon and I met down at the old folk’s home…,” quips Wakeman as an introduction to the evening’s musical world premiere. Unable to decide which of their own pieces to do together, they decided instead to write a new piece together. The couple share the microphone for this introduction and a bit of smart repartee. All good fun.

Then the musical fun. A stomping, blistering, bombastic band work-out stacked high with soaring keyboards including solos for Hammond organ (Jon) and Mini Moog (Rick). It’s Not As Big As It Was is everything prog anyone could have wished for – and a wee bit more.  Wakeman’s bank of keyboards on the right side of the stage, Jon’s Hammond near the edge on the left, the cameras zoom in to show the finger work on the big screen above the stage.

Murray Gould does a short guitar solo, but apart from this, Micky Moody (rhythm guitar), Jerry Brown (drums) and Nick Fyffe (bass) put down a firm foundation for the two protagonists to excel over. And excel they do for around 7 minutes or so. Jon hand signals the band into the various sections, seemingly without need as everyone nails the piece effortlessly.

Afterwards,  Wakeman says how excellent it is to work with Jon and promises more to come. Next up is a rendition of David Bowie’s  Life on Mars with Newton Faulkner on vocals, Jon Lord on Hammond and Wakeman on piano – and the house band. This epic song rounds off the evening’s first 2 hours of music.

After a short turnover – with Bill Bailey entertaining everybody with his 6-necked guitar and an incredibly musical organ sketch – Deep Purple take to the stage. Save for Purple’s gear, everything else has been removed from the stage but the Hammond organ Jon has been playing previously. It will remain unused.

Purple zoom through an effective 40-minute set that includes two immaculate guest spots from Joe Bonamassa on Maybe I’m a Leo and Smoke On the Water. The band struts their stuff in their usual fashion, with Ian Gillan in particularly fine form on When a Blind Man Cries. And suddenly it is all over.

Bill Bailey’s mad cowbell intro to Smoke on the Water provides the evening’s best musical joke (with Ian Gillan cracking up behind him), but it is Jon Lord’s carefully crafted journey-de-force through styles and time that serves as the evening’s most musically rewarding experience, perfectly topping up a very giving evening.

The music and the players:
House band section:
Newton Faulkner, Margo Buchanan, Danny Bowes, Gary Brooker, Joe Bonamassa + The Sunflower Jam house band (Paul Wickens – keyboards; Micky Moody – guitar; Murray Gould – guitar; Nick Fyffe – bass; Jerry Brown – drums).

Jon Lord & Rick Wakeman:
Who Killed John Henry – Joe Bonamassa, Jon Lord, house band
Bourree – Jon Lord, Anna Phoebe, house band
Pictured Within – Jon Lord, Steve Balsamo, Anna Phoebe
Eleanor Rigby – Rick Wakeman
It’s Not As Big As It Was – Jon Lord, Rick Wakeman, house band
Life on Mars – Jon Lord, Rick Wakeman, Newton Faulkner, Anna Phoebe, house band

Deep Purple:
Highway Star
Maybe I’m a Leo (w/Joe Bonamassa)
Strange Kind of Woman
Contact Lost
When a Blind Man Cries
Well Dressed Guitar
Black Night
Smoke On the Water (w/Joe Bonamassa, Bill Bailey, Jack Moore)

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14 comments

  1. Thanks for a great resume of the evening. Let’s hope it will get a DVD release asap.


  2. Dear Mr. Lord, your german fans would like to take part of sunflower jam somewhere in germany – is it possible?? Pleas say “yes”


  3. Great review. Only makes me wish I could have made it to this great occasion. Being played in the Royal Albert Hall was another bonus. I am surprise that Mr. lord did not step out and join his friends for a song or two. Well, going to re-read this great review.
    Thanks!
    Rickf


  4. Thanks for this great report.

    Surprise … cowbells on “Smoke”, that is very funny.


  5. Great review, I was there and astonished by THE LORD, Wakeman, Bonamassa , moody and the son of Gary moore with Purple.

    Anybody knows WHY Jon did not come on stage with Purple? He hinted so in interviews…
    It would have meant the concert of the century

    Any chances on a DVD. And Jon, if you wanna rock…. Join Joe and Glenn at BCC so thar the guitar- organ duel eill live on….

    First…. A CD OF WAKEMAN-LORD!!


  6. Well that was amazing. I think that Joe is one of best guitarist now (he’s playin with such feelin’…). And Lord…the best and no discussion here. And They were playin together, dueling. I didnt want anything more than this. Thx


  7. Can somebody tell me about, will there come a DVD from the show?


  8. I wait for a cd of Wakeman-Blackmore-Lord.
    Sounds perfect.
    Jaro


  9. Jarsolaw, you got it just right! Wakeman-Blackmore-Lord, what a teaming!


  10. This was so exciting so amazing that it is indescrivable!I haven´t experience such a joy for years.The Wakeman-Lord performance was one of the best of my life.Hopefully it won´t be their last cooperation.


  11. Wish I’d been there – an experience to die for. A great review, thanks


  12. Well it is my birthday and just read the article from a lucky journalist who was there and I’m still trembling knowing all the SAINTS were together at the same stage.
    Hope we will not leave this world without seeing this performance on DVD.
    Pleas any one know if there is a DVD of this event???


  13. It was amazing! What about the DVD??!! I ‘m from Brazil and it was really an once in life time experience.


  14. RIP Mr. Lord



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