Jon’s work cut out for you

Over the coming weeks and months, a full catalogue of Jon's compositional work will appear online for the first time. Aimed at concert promoters and performers foremost, as well as fans and friends, our new Works section will provide all available information on each of Jon's works, including instrumentation and performance details. Jon's trusted musical collaborator, … Continue reading Jon’s work cut out for you

Review: Concerto for Group and Orchestra (2012)

Exclusive review by Vincent Budd for JonLord.org. Previously, Vincent wrote ’The Gemini Man: an Introduction to the Orchestral Works of Jon Lord’ published in 2003. This studio account of the Concerto for Group and Orchestra is Jon’s final statement of his prized composition.  It is a glittering new take on his glorious opus and, for those of … Continue reading Review: Concerto for Group and Orchestra (2012)

Jon interviewed for Machine Head 40th

Classic Rock Magazine has produced a special anniversary issue commemorating the 40th anniversary of Deep Purple's Machine Head. The magazine carries one of Jon's final interviews - from June 2012 - focusing on the story behind the album: - My role during [the recording of Machine Head] was to provide the musical ballast, some structure … Continue reading Jon interviewed for Machine Head 40th

Video: Paul Mann’s Concerto interview

Exclusively for JonLord.org, here is conductor Paul Mann's tale of Concerto for Group and Orchestra. In this 45-minute in-depth interview, Paul Mann takes us through the process of recording the Concerto in Liverpool and at Abbey Road Studios in 2011 and 2012. He recounts the emotional day when Jon recorded his organ solo for the … Continue reading Video: Paul Mann’s Concerto interview

– I want it to sound absolutely spot on!

In this previously unheard March 2011 interview, Jon Lord speaks enthusiastically of his plans for the new studio recording of Concerto for Group and Orchestra, that is coming out at the end of this month. He explains his thoughts behind using different players across the movements, and how years of honing the score coupled with … Continue reading – I want it to sound absolutely spot on!